Fatboy Slim: Weapon Of Choice Music Video Review by Allison James

Coverage of music videos will probably be rare here, but some deserve to be looked at.In the music video for Fatboy Slim's Weapon Of Choice, Christopher Walken dances around an empty hotel. That's pretty much it. Directed by Spike Jonze (also director of the stunning film Being John Malkovich), it's a great watch, which begins with him slowly jiving his way off a seat and ends with him flying around a foyer. The track itself is a good listen - it's the sort of track most people will know but less will know the name and artist of. It's been in quite a few English advertisements for TV programmes.

Here's the video for your viewing pleasure.

[youtube=http://www.youtube.com/watch?v=aZbckwYY9r4]

(88%)

Cuil Review by Allison James

This is old news, but what the hey.Cuil.com is a search engine created by, amongst others, ex-Google workers, looking to create a revolutionary new search engine. They cited the most popular search website, Google, as using outdated technology.

As soon as you go onto Cuil, you can see the website uses a sleek, modern design:

Cuil

Cuil

It also appears to partly base its simplicity off Google, which's default homepage is also little more than a logo, a search bar and a few buttons. Cuil also includes a boast that it indexes over 12 billion websites - a bold claim, which has led to criticisms that the site is more interested in the quantity of searched sites, not the quality of search results.

I found that these criticisms are agreeable. I searched for a several things in both Cuil and Google, and Cuil's results were far less fitting. For example, I tried "the year of elvis presley's death". For such a mundane question with such a single, findable answer, I'd expect to see it in the results without visiting websites. Google's second result clearly said in the title:

Elvis Death - Elvis Presley Death - Elvis Presley Died 16 August 1977

Cuil? Nothing. Nowhere. I got conspiracy theories, Elvis CD box sets on sale, and two results on Michael Jackson. Incidentally, Ask Jeeves (yes, we, the UK, got Jeeves back), Yahoo! Search, and Microsoft's Bing all managed to give me the precise date on the first page of results too.

So, Cuil looks pretty, but with so many other more competent search engines, it's rather pointless. It's fairly new, so I guess it has room for improvement, but I think Google is too popular for it to really get attention.

Visit Cuil

(39%)

Psychonauts Review by Allison James

Psychonauts - Hunt for the Milkman

It's a little saddening to see half-decent games underselling and disappearing off the face of the gaming planet. It's even more saddening when the game in question isn't half-decent, it's astonishingly good. Psychonauts is one of these - an original, amazingly fun, varied platformer that was swept under the carpet while poor sequels jumped off the shelves and into people's gaming collections.

In Psychonauts, you play as a boy called Razputin who has inherited psychic powers. His dad doesn't want him to use them, but he does, so he's run off and joined a psychic school. The tutorials take the form of lessons. As you progress, the plot darkens.

What makes Psychonauts truly stand out is the variety. Using a device given to you part of the way through the game, you can enter the minds of other people. Each person's mind takes a different form - it's there that the variety (and originality of many of the levels) comes in. The standout level sees you entering a janitor's mind and hunting for someone called the Milkman. The level is a rural district, which's road twists around like crazy.

Other fascinating levels include one where you enter the mind of someone playing a war board game - you actually go into the board itself and have to complete the game by moving pieces safely to their destinations. There's also a hunt for playing cards in the mind of a matador, which culminates in a battle where you have to fire arrows at a bull using telekinesis.

Graphically, Psychonauts isn't (and wasn't at the time of release) stunning, but it's certainly adequate. You can always tell what's happening.

Psychonauts is available from game retailers at a very undeservedly cheap price. It can be bought for PlayStation 2 (the version I have), PC, and Xbox (and Xbox 360 if you include its release on the Marketplace). Alternatively, you can play it for free with adverts on GameTap. If you haven't already, go and do it now. You're missing out.

[youtube=http://www.youtube.com/watch?v=md_8uDtbffQ]

(96%)

Pleasantville Review by Allison James

Here's the sort of thing the older generation might say: "Films aren't original nowadays". In some ways, it's an agreeable point - the number of action films which do absolutely nothing new is rather high. But, every so often, one is released which has a premise scarcely, or never, seen before. I, personally, have seen nothing like Pleasantville before.

Here's the plot. There's a teenage boy (Tobey Maguire) and his sister (Reese Witherspoon). The boy is fascinated with a 1950s black and white comedy soap program, "Pleasantville", in which everything is pleasant. His sister, however, is interested in boys. I won't spoil any of the events in the film, but basically, a series of actions leads to them being sucked into the television and into Pleasantville, where they "become" two of the characters.

As they begin introducing non-pleasant aspects into the village of Pleasantville, such as sex and emotion, things in the world start to change from black and white to colour... then the people engaging in non-pleasant activities do too. The second half of the film focuses on the old fashioned black and white people and the coloured people going against each other.

The film is incredibly entertaining to watch, and very cleverly done. It's a great premise, and the clash between pleasant and non-pleasant (I don't say "unpleasant" because that suggests "bad" - "non-pleasant" can cover emotions like "ecstasy" and "happiness") leads to some interesting results. It was released in 1998, and can be picked up, undeservedly, in most cheap sections of DVD retailers. Highly recommended.

(89%)

Saints Row 2 Review by Allison James

When I found out the sequel to the awesome but Xbox 360-exclusive Saints Row would be multiformat, including a release on the PlayStation 3, I was happy. Sure, I'd lose out on some of the back references, but I'd at last have a silly alternative to GTA. That was pretty much the main reason I bought Saints Row 2 - to play about. What I wasn't expecting was a game with both the gormless fun of playing about the city, and also a surprisingly clever, engaging plot.

For the plot, there are three storylines you can follow. Once these are all complete, there is a final fourth one. Each of the three initial storylines focuses on one of three opposing gangs (you being the member of the fourth gang, the Saints), the Brotherhood, the Ronin, and the Sons of Samedi. The Brotherhood are a tattooed, thuggish lot, the Ronin are oriental sorts with katanas and... motorbikes, and the Sons of Samedi are hippies. Finishing a storyline results in the eradication of that gang from the city, with each mission resulting in one piece of their "turf" being handed over to you, and the climactic missions all involving killing the gang leaders in a platformer-boss-style fashion. The final storyline then sees you fending off an evil corporate giant looking to clean the city of gangsters.

So, what sort of stuff is covered in the mission spectrum? There's all sorts - burning drug crops, making someone accidentally kill their girlfriend with a monster truck, burying someone alive (then, at any point after in the game, returning to the grave and hearing his screaming), and even a thrilling mission in which you tow a car to a garage. Yay!

That's the bit of the game I wasn't expecting to be awesome out of the way. Here's the bit I bought the game for: messing about. There's a lot you can do - full car customisation, plane piloting, fight club participation, insurance fraud (jump infront of fast cars and sue them), spliff smoking, making your own radio station out of tracks in-game, etc. There are a ton of cheats which can aid messing about, too, including some to make it rain pedestrians, lower the gravity, set all cars to attack you... whatever suits your fancy.

The music in-game is probably the strongest part of Saints Row 2. Despite the seemingly constant gangster theme of the game (which includes unchangable, expletive-filled rap forced through your ears on the main menus), the radio stations cover a wide range of genres - rap, classical, easy listening, electronica, and even '80s pop. And, in a move Grand Theft Auto games should really have had, you can switch off certain radio stations so you never need listen to them. Add to that the fact you can buy (with in-game money) tracks and remix them into your own radio station, and you won't be forced to listen to anything you'd rather not again.

Then, of course, in a second move GTA should've done before - complete online two player co-op. That means you can both be doing missions together, or even playing in the city independently (no San Andreas-style limits, you can be on opposite ends of the city, in two different cars, in buildings together or separately, anything). There are also several games to play together, including the incredibly fun Death Tag. In this, there's a time limit, you both have randomised weapons with infinite ammo, and most deaths loses.

So, my opinion of Saints Row 2? If you're over 18, get it. If you're under 18, wait until you're 18 then get it. If you have it, play it. It's an absolute blast whichever way you'd rather play it.

[youtube=http://www.youtube.com/watch?v=meP62UPanio]

(Note: Content Warning: strong language and depictions of virtual violence)

(92%)

The Prodigy: Invaders Must Die Review by Allison James

Unlike a lot of critics and others, I actually quite liked The Prodigy's previous album, Always Outnumbered, Never Outgunned. Still, anything considered a comeback album is welcome to me.

Invaders Must Die, as you may know, was the first new album by The Prodigy in 12 years to feature the full line-up - Keith Flint, Liam Howlett and Maxim Reality. Their previous group album was the stunning The Fat Of The Land. This one returns to a sound more like their older stuff.

Here's a track-by-track mini review.

Invaders Must Die (title track) - A solid start, if a tad repetitive. Great bassline. A shorter edit was released a while before the album as a "preview" track - I prefer the edit personally.

Omen - Good first proper single. Fairly angry track, less repetitive than the previous, with, for a tune by The Prodigy, has quite a few sung, original lyrics.

Thunder - My least favourite track on the album, though still not bad. Slightly weird lyrics, and the track as a whole seems to have something missing from it.

Colours - Great track, even better if you're listening to the album in order. The bassline is addictive, and the nearly-rapped lyrics actually work pretty well with the rest of the track.

Take Me To The Hospital - Weird at first, better with repeated listens. Thumping track, though you can't expect anything less with The Prodigy. This feels a hell of a lot like the style of Experience.

Warrior's Dance - Haunting, heavy, and downright brilliant.

Run With The Wolves - Another grower. The sung part is pretty catchy in my opinion.

Omen Reprise - A dancier, inferior version of Omen.

World's On Fire - Starts bland, gets pretty good. Fairly heavy, and shouty, track.

Piranha - Thumping, catchy, rave-suited track. Very much one for the head-banging crowd. A little repetitive, but not so much it ruins the track. Kinda works with it, actually.

Stand Up - ...and then there was this. Nearly half a minute of near-silence, followed by one of the most amazing, and different-to-their-normal-style, tracks I've ever heard from The Prodigy. This finished the album off on a massive high.

Overall, I very much enjoyed the album, maybe even as much as The Fat Of The Land. Here are the videos for the released singles:

[youtube=http://www.youtube.com/watch?v=r3EIogaEwxY]

[youtube=http://www.youtube.com/watch?v=olHnyslc-OM]

[youtube=http://www.youtube.com/watch?v=hxZJTRhcFg4]

(85%)

Brüno Review by Allison James

It's been a while since a film genuinely cracked me up. Up is the closest I've been all year, I think. So when Brüno came out, I knew what to expect. Brüno, the latest film starring Sacha Baron Cohen, is a lot like his previous film Borat (I won't bother with the subtitle, it's got something to do with Kazakhstan though), one which was shot primary unscripted and with unsuspecting other people. Brüno is pretty much the same, though I got the feeling more of this film was scripted than Borat.

So, what does the film entail? Baron Cohen plays a stereotypically homosexual, stereotypically Austrian man named Brüno, who has gone to America seeking world fame. Taking into account the level of controversiality in Borat, you know what to expect.

(Spoilers ahead)

Happenings in the film include Brüno adopting a black baby (which he swapped for an iPod) called OJ and appearing on an African-American chat show, appearing at a fashion show in a velcro suit and running onto the catwalk attached to several items of clothing, bringing Paula Abdul food served on a hairy, naked man, and seeking help from a Christian "sexuality healer", becoming straight and presenting a straight-only fight club show, only to have his ex-boyfriend climb into the ring and get off with him there and then. Cue hundreds of angry straight audience members throwing their beverages and snacks into the ring in disgust.

(End spoilers)

Brüno relies heavily on shock humour to obtain its laughs, so some people will be immediately put off. Others, however, will lap it up.

I guess the easiest way to determine if you'll like Brüno is if you've seen and enjoyed Borat. If you haven't seen Borat, try out the trailer.

[youtube=http://www.youtube.com/watch?v=fAGpmNb2xfQ]

It's not the cleverest film around by a long shot, and some parts are a little nasty, but I got the laughs I wanted. It's a good, love-it-or-hate-it film, if not quite as good as Borat. (78%)